Raising the curtain on the ’93 blast in Mumbai, the story focuses on a large piece of explosives left over from the blast. Connecting the few refugees who managed to escape at the time. Veer Sooryavanshi (Akshay Kumar) is led by his boss Kabir Shroff (Jaaved Jaaferi). He thought he was a star to solve the ’93 bombing case but still regrets some of the decisions he made.
Sooryavanshi, along with managing the affairs of his family and wife Riya (Katrina Kaif). He is investigating a missing RDX, which, they found, leaked to it. Could be used for a number of bomb blasts in Mumbai. With the help of his old teammates Simba (Ranveer Singh) & Singham (Ajay Devgn). Sooryavanshi is running against the clock, hoping to stop a landmine from a deadly catastrophe.
Rohit Shetty has fallen into his trap, made a film he could have directed 5-7 years ago while he was asleep and could be a success. But, unfortunately, this is how time works, we live in a world where films like Singham & Simmba already exist. The intent of the fame of Singham & Simmba’s success in presenting another policeman in this Sooryavanshi.
This also reveals Shetty’s vulnerable link in a very abusive way that CGI puts your PowerPoint presentation to disgrace. VFX’s most important helicopter racing event looks out of a high-budget movie – high ambitions. All of this is just a reminder that Neeraj Pandey’s filmmaking school is not easy to break up. The 4-minute trailer greatly affects the fun you can have with the police. If you’ve seen the trailer, you’ve seen all the best parts of Simba & Singham.
This is an old example of a director who refuses to vary a winning formula then loses the essence of the important thing. Simba was very different from Singham so it had been an honest click. Sooryavanshi picks up Khiladi Akshay Kumar on the ground of Neeraj Pandey. And throws him in the middle of a ‘flying car of Rohit Shetty’s area with ugly lines than Housefull 4. He’s even stolen of a loyal climax as Singham steals the set.
Everything about this is an unresolved dilemma from the scary scene. So, to Akshay’s annoying character for forgetting words (already thrilled by Paresh Rawal in Awara Paagal Deewana).
So, I never assumed Akshay Kumar would be a Pizza Pineapple baked half of Rohit Shetty. His entire effort is divided into two domains, the first genre you have already seen in films like Baby, Bell Bottom. And another category you have already seen is Phir Hera Pheri, De Dana Dan & Bhaagam Bhag.
He infrequently adds weight to the story and appears to have shot at the exact moment as Salman Khan’s Bharat. If you ask someone who has no knowledge of Bollywood to watch Bharat. Sooryavanshi and show her the Katrina Kaif scene from any of the two movies, she will not be able to tell which film it is.
There are no actors from the validating group namely Nikitin Dheer, Gulshan Grover, Jackie Shroff, Kumud Mishra, Jaaved Jaaferi, Sikandar Kher, going any memorable mark. Each of them is lost or lost.
Rohit Shetty, in an effort to give Sooryavanshi the best of both worlds (Singham & Simmba), failed to create something new. This is all Rohit always tries to run away from like VFX secrets, crippled conversations, forced feelings. It’s like selling a prototype behind the wild success of your hero’s products. The old case of the director refusing to change the statue is already proven with the failed hope of creating the same magic.
My reports have revealed that Arijit Singh’s song has been removed from the film but Najaa instead, and that is a very bad decision because that would have made things easier. Tip Barsa Paani is set to be the lead character of the film that brings back the pre-Akki-Kat chemistry. The idea of harmonizing the sound of bullets with background effects, though already tried, is smooth and well-matched.
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All that is said and done, Sooryavanshi boils down to being a mischievous spoof of many Rohit Shetty movies (and other similar templates). This was an unexpected disruption after the 4-minute trailer.
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